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Excerpt from an episode of American Casino I edited. It was the day of the Hendon Rocks party.


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The documentary American Casino, made by Leslie and Andrew Cockburn, follows plain folk with subprime-mortgaged homes as their properties become bundled derivatives on computer spreadsheets and move through countless reratings into default. The film, gearing up for a feature-length documentary.


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American Casino One day, a documentary filmmaker will produce a full accounting of the atrocities perpetrated on the American economy in the 30-plus years since the Reagan administration.


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For the 2009 film, see.
American Casino Genre Country of origin American casino documentary States Original language s English No.
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Retrieved October 14, 2015.
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American Casino, full movie - Full movie 2009. You can watch American Casino online on video-on-demand services (Netflix), pay-TV or movie theatres with original audio in English. This movie has been premiered in Australian HD theatres in 2009 ( Movies 2009 ).


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For the 2009 film, see.
American Casino Genre Country of origin United States Original language s English No.
The show began airing on the on June 4, 2004, but was moved to the in June 2005.
In other countries including Europe, the show continued to air on Discovery.
The show was executive produced by of.
Piligian had this web page created and.
Approximately 600 hours of footage was shot for the first hour-long episode.
Michael Tata, vice president of hotel operations, died of an accidental on July 6, 2004.
Prior to Tata's death, more than a dozen additional episodes had https://festes.ru/american/american-casino-entertainment.html planned for the series' first season, which initially consisted of 13 episodes.
The ending of the series' seventh episode, airing on July 16, 2004, acknowledged Tata's death: "In memory of Michael Tata.
Later that month, an episode involving Tata's death was delayed without explanation until later in the year.
Archived from on November 24, american casino documentary />Archived from on January 8, 2004.
Archived from on July 7, 2004.
Archived from on February 20, 2004.
Archived from on March 28, 2005.
Archived from on November 17, 2004.
Archived from on February 20, 2004.
Archived from on July 10, 2004.
Retrieved October 14, 2015.
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Archived from on March american casino documentary, 2007.
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American Casino. Jump to navigation Jump to search. American Casino was an American reality television series which tracks the daily events of the managers and employees of the Green Valley Ranch Casino resort in Henderson, Nevada, a suburb of Las Vegas.


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One day, a documentary filmmaker will produce a link accounting of the atrocities perpetrated on the American economy in the 30-plus years since the Reagan administration deregulated the financial markets.
American Casino Table Rock Filmswritten and directed by the husband-and-wife team of Andrew and Leslie Cockburn, is not that movie, but it will do just fine in the meantime.
An admirably thorough survey of the effect of the mortgage crisis on a vertical slice of the population wealthy bankers, middle-class homeowners, and those now reduced to sleeping in carsAmerican Casino nonetheless feels workmanlike at times, with the talking heads and dry exposition of an extended Frontline episode.
American Casino gets its schadenfreude out of the way up front.
It could be structured by cows and we would rate it.
In its last third, the documentary goes somewhere completely unexpected and utterly fascinating.
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American Casino One day, a documentary filmmaker will produce a full accounting of the atrocities perpetrated on the American economy in the 30-plus years since the Reagan administration.


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"American Casino" - Doc Investigates Roots of the Subprime Mortgage Meltdown 1 of 4

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There’s a new documentary out. It’s called American Casino. It’s made by Andrew Cockburn and his wife Leslie. It’s a fascinating exposé of the subprime mortgage scandal and how the system.


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For the 2009 film, see.
American Casino Genre Country of origin United States Original language s English Https://festes.ru/american/watch-american-idol-free-online-2019.html />The show began airing on the on June 4, 2004, but was moved to the in June 2005.
In other american casino documentary including Europe, the show continued to air on American casino documentary />The show was executive produced by of.
Piligian had also created and.
Approximately 600 hours of footage was shot for the first hour-long episode.
Michael Tata, vice president of hotel operations, died of an accidental on July 6, 2004.
Prior to Tata's death, more than a dozen additional episodes had been planned for the series' first season, which initially consisted of 13 episodes.
The ending of the series' seventh episode, airing on July american casino documentary, 2004, acknowledged Tata's death: "In memory of Michael Tata.
Later that month, an episode involving Tata's death was delayed without explanation until later in the year.
Archived from on November 24, 2005.
Archived from on January 8, 2004.
Archived from on July 7, 2004.
Archived from on February 20, 2004.
Archived from on March 28, 2005.
Archived from on November 17, https://festes.ru/american/great-american-casino-in-tacoma.html american casino documentary from on February 20, 2004.
Archived from on July 10, 2004.
Retrieved October 14, 2015.
Archived from on July 11, 2004.
Archived from on March 8, 2007.
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The dire financial statistics paraded in the documentary “American Casino” are infuriating: $12 trillion pledged by the United States government to bail out Wall Street, $18.4 billion handed.


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American Casino Critics Consensus American Casino presents the causes and effects of the American banking crisis with just enough clarity and rage to overcome its flaws.
For chips, the casino used real people, like the ones we american casino documentary in Baltimore.
These are not the heedless spendthrifts of Wall Street legend, but a high school teacher, a therapist, a minister of the church.
They american casino documentary sold on the American Dream as a safe investment.
Too late, they discovered the truth.
Cruelly, as African-Americans, they and other minorities were the prime targets for the subprime loans that powered the casino.
According to the Federal Reserve, African-Americans were four times more likely than whites to be sold subprime loans.
We meet the players.
A banker explains that the complex securities he designed were "fourth dimensional" and sold to "idiots.
A mortgage loan salesman explains how borrowers' incomes were inflated to justify a loan.
Finally, as the global financial system crumbles and outraged but impotent lawmakers fume at Wall Street titans, we see the casino's endgame: Riverside, California a foreclosure wasteland given over to colonies of rats and methamphetamine labs, where disease-bearing mosquitoes breed in their millions on the stagnant swimming pools of yesterday's dreams.
Filmed over twelve months in 2008, American Casino takes you inside a game that our grandchildren never wanted to play.
As Leslie Cockburn's camera roams the foreclosed rowhouses of Baltimore, their planked-up doors reminiscent of shots from The Wire, I thought: Baltimore needs some good PR.
Much of the final two-thirds of the documentary can have a TV newsmagazine feel: solidly presented, but not shaped to a larger end.
As self-righteousness sets in, however justified, so does a certain artistic slackness.
The documentary details in no-nonsense, talking-head style how commercial and investment banks moved high-risk mortgages out into the economy, dumping debt and reaping profits in the process.
A lopsided, visually uninspired film that works best when it eschews the complex numbers-crunching of its financial industry pundits and whistle-blowers to profile the everyday victims of the crisis.
This film stands as an intimate, terrifying document that renders an incomprehensible slice of recent history in human terms.
This smart, touching documentary traces the connections between Wall Street's high-flying practices and the countless citizens on Main Street who now face bankruptcy and eviction.
Putting a face on the incomprehensible figures, the film takes a look at some of the victims, middle-class professionals who bought into the dream of home ownership and lost everything.
If there's an overarching theme it's that people respond to incentives and so regulation of the financial market is necessary to see that the incentives offered are not perverse.
It may be a little too Jack Webb for read more masses, but there is value to its sober, just-the-facts approach.
The best look to date at the rotten US housing mortgage system that developed over the last ten years.
Clear enough to make you cry.

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The documentary film "American Casino," which opened today at the Film Forum in Manhattan, looks at the causes of the biggest economic crisis of our lifetime --- the sub-prime mortage meltdown.


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The first name of a famous director named “Michael’’ comes to mind during the opening of “American Casino,’’ a documentary about the causes and consequences of last fall’s financial.


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He also writes about national security and related matters.
His most recent book is Rumsfeld: His Rise, Fall and Catastrophic Legacy.
It caused more than a million Americans to lose their homes and brought Wall Street to its knees.
A new documentary opening today in New York takes on the subprime crisis, tracking its roots on Wall Street and Washington and profiling some of its victims, mainly African American families who lost their homes.
We play highlights and speak with filmmakers Leslie and Andrew Cockburn.
He also writes about national security and related matters.
His most recent book is Rumsfeld: His Rise, Fall and Catastrophic Legacy.
At the heart of the meltdown was the subprime mortgage crisis that caused more than a million Americans to lose their homes and brought Wall Street to its knees.
American Casino is directed by Leslie Cockburn, who wrote and produced the documentary with her husband, journalist and author Andrew Cockburn.
They join us today in our firehouse studio.
But we first will turn to an excerpt of the film, which begins by looking at how deregulation of the financial sector laid the groundwork for the economic meltdown.
This is American Casino.
On a December evening, December 15th, 2000, around 7:00, Phil Gramm, Republican senator of Texas, then chair of the Senate Finance Committee, walked to the floor of the Senate and introduced a 262-page bill as a rider to the 11,000-page appropriation bill, which excluded from regulation the financial instruments that are probably most at the heart of the present meltdown.
And he announced at the time that this measure would be a boon to the American economy and be a boon to Wall Street, because they would be freed of any supervision in this regard.
And that lack of supervision freed Wall Street to essentially shoot itself in both feet.
DAVID ATTASANI: I worked for four companies on Wall Street.
I mean, sure, my grandfather worked for the same company for, you know, twenty-some-odd years in the steel mills of Pittsburgh, maybe thirty years.
But he worked for the same company his whole life.
The stock market goes south, the banks going out of business.
MARK PITTMAN: It really started getting heated in 2004, 2005.
Mortgage rates kept dropping for prime mortgages, you know, the ones that most people get, and that made the here much more valuable, because they offered much more yield.
Your fees on that might be four percent.
And it could be a billion to two billion to five billion, you know, to ten billion a month.
MARK PITTMAN: This is a Lehman Brothers bond done in early 2006.
As you can see, you know, this is not going well.
My judgment is that free, competitive markets are by far the unrivaled way to organize click here />You had the authority to prevent irresponsible lending practices that led to the subprime mortgage crisis.
You were advised to do so by many others.
And now our whole economy is paying its price.
Do you feel that your ideology pushed you to make decisions that you wish you had not made?
ALAN GREENSPAN: Well, remember that what an ideology is is a conceptual framework with the way people deal with reality.
To exist, you need an ideology.
The question is whether it is accurate or not.
But if I may, may I just finish an answer to the question previously posed?
HENRY WAXMAN: You found a flaw in the reality —- ALAN GREENSPAN: Flaw in the model that I perceived as the critical functioning structure that defines how the world works, so to speak.
HENRY WAXMAN: In other words, you found that your view of the world, your ideology, was not right.
It was not working.
ALAN American casino documentary That it had a -— precisely.
UNIDENTIFIED: I want to thank you on behalf of the committee.
MICHAEL GREENBERGER: Alan Greenspan was the foremost proponent of these derivative products, credit derivatives, which are now at the heart of the meltdown, of them not being subject to regulation.
And his theory was as follows, that he believed these instruments afforded banks the ability to move risk out to the economy — in other words, to exchange their risk of making mortgages and having to worry whether people would pay the mortgages and creating financial products that would invite the rest of the financial world to participate in that risk.
Unfortunately, what american casino documentary have seen in our most recent history of this credit crisis is, yes, it spread the risk through the economy and made everybody subject to that risk, not just the banks.
The banks got so cocky, because they thought they were passing the risk off, that the discipline of being worried about whether somebody could pay their mortgage disappeared, and they made as many mortgages as they could make.
They just wanted to do the transactions, make as many of these mortgages as they could.
AMY GOODMAN: That was Michael Greenberger, the former director for trading and markets at the Commodity Futures Trading Commission, in an excerpt from the film American Casino.
The film, directed by Leslie Cockburn, who co-produced it with her husband Andrew Cockburn.
LESLIE COCKBURN: Thank you.
ANDREW COCKBURN: Thank you.
Well, when people hear it, they just find it extraordinary that this man could reduce the collapse of several American cities, in terms of, you know, the millions of foreclosures, that he could reduce it to saying that it was a flaw in the model.
AMY GOODMAN: That he had believed in for forty years.
And Alan Greenspan thought that was a great idea.
AMY GOODMAN: Talk about deregulation, Andrew Cockburn.
ANDREW COCKBURN: Well, deregulation — we start the film, I mean, with sort of the final descent into disaster from December 2000, when Big american game companies in australia Gramm, acting on behalf of — it was basically a bill written by a bunch of Wall Street lawyers — smuggled a bill into the appropriations bill at 7:00 in the evening on December 15th, when they were all thinking about going home for Christmas, basically saying — making it illegal to regulate, among other things, credit default swaps, which were — had been considered —- which are, you know, basically gambling.
AMY GOODMAN: Making it illegal.
ANDREW COCKBURN: To regulate them.
Making it illegal, impossible for state -— AMY GOODMAN: To regulate them, not just keeping them deregulated, but making it illegal.
So, that was the crucial act of deregulation.
AMY GOODMAN: Leslie Cockburn, you began making this film in January of 2008.
AMY GOODMAN: This is before all of the economic meltdown, the obvious effects of it.
AMY GOODMAN: What made you start American Casino?
LESLIE COCKBURN: Well, there were a lot of things going on at that time.
One, there had been a mini crash in 2007 in August link financials, and that tipped us off that there was something very serious going on.
Also, two hedge funds of Bear Stearns collapsed in 2007.
Leverage — if you looked at the market leverage, which means borrowing, was completely out of control by the banks, the investment banks.
At the other end of the scale, already there were foreclosures on every courthouse steps in America.
You could go and find that houses were on the block.
We went over from — we live in Washington.
We went to Baltimore and found that houses were being sold every three minutes on the courthouse steps.
So it was time to do something.
AMY GOODMAN: Your scenes of the auctions on the courthouse steps in Baltimore are amazing.
All those properties were going back to the banks.
AMY GOODMAN: So, you see the auctioneer and his sidekick.
AMY GOODMAN: And you see one guy in jeans and sneakers.
AMY GOODMAN: Holding a phone.
AMY GOODMAN: And he was making decisions, and he would respond to the auctioneer on the steps.
AMY Pity, free online american firefighter games agree Buying up the for game american android gangster />ANDREW COCKBURN: But most of them go back to the banks.
Our guests are Leslie Cockburn, who directed American Casino, and her husband Andrew Cockburn, who co-produced American Casino.
He is the author of the book Rumsfeld: His Rise, Fall and Catastrophic Legacy.
This is Democracy Now!
Back in a minute.
Andrew, talk about these musicians.
ANDREW COCKBURN: Well, Baltimore is a great musical city, and when we started to cover what was going on there in terms of foreclosures and the whole crisis, we figured that people were probably doing music about this.
So we looked and, sure enough — I mean, actually, I think we collected sixty tracks of people talking from the inner city about various aspects of it.
And, you know, they made this, came up with this heartbreaking track.
I american casino documentary, we play two other tracks by other people in the film, but -— AMY GOODMAN: Well, I want to turn to another excerpt of American Casino that deals with the targeting american casino documentary minority communities in Baltimore.
This clip begins with Robert Strupp of the Community Law Center in Baltimore.
ROBERT STRUPP: There seems to be enough evidence to suggest that minorities were put into these loans and deceived and misled into unsuitable loan products.
And on the flip side of that, we also have people who were being told when they refinanced their loans that we could get them a lower payment.
So it was american casino documentary and twenty-seven.
The large loan is 6.
And then, on this one, this is a smaller loan, the second one.
You could do a real estate closing by meeting this notary in the parking lot of a shopping center and do it on the hood of your car.
They have to pick up their children at daycare.
LISA EVANS: These loans are incredibly complex.
Adjustable-rate mortgages that only adjust one way, upward.
CARA STRETCH: And how much is the payment on the first?
And, you know, they were being told lots of different things to entice them into the mortgage.
AMY GOODMAN: That was Cara Stretch, a housing counselor at St.
Ambrose in an excerpt from the documentary American Casino, directed by Leslie Cockburn, co-produced with Andrew Cockburn, both in our studio today, as American Casino opens in New York at the Film Forum tonight.
LESLIE COCKBURN: Well, I think that, overall, The New Yorker was very, very kind to us.
You know, you had to pick up your kids at daycare.
And in fact, none of us read that document.
People are not given the opportunity.
They were enticed into this, as Cara says.
I mean, that was a very common trick just to make the payment look smaller and to entice people in.
AMY GOODMAN: And the fact that most people who get subprime loans actually qualify for prime loans?
ANDREW COCKBURN: In 2006 — it was 61 percent, according to the Federal Reserve, at one point.
AMY GOODMAN: And she was the head of the division.
And she said, for one thing, the loan officers got something like five or six thousand dollars for each subprime loan and maybe a thousand dollars for the prime loan.
ANDREW COCKBURN: Precisely, and so on up the line.
I mean, for way up in Wall Street for the bonds, American casino documentary mean, for the instruments they were floating and selling, subprime was better, more yield.
So the whole system was tilted to pushing people into these subprime loans.
AMY GOODMAN: The heart of your story, I think, are the personal stories that are told.
American Casino tells these wrenching personal stories of people, mainly African American, who lost their homes.
This is Patricia McNair, a clinical therapist at Johns Hopkins Medical Center in Baltimore whose house went into foreclosure.
PATRICIA McNAIR: At this point, the mortgage has been placed in foreclosure.
I got a letter with the ad: house, you know, 4405 Adelle Terrace being foreclosed on, with the date.
And I almost died, because they sent me that.
I guess whoever sent it wanted me to know this is very serious, and you need to call us right away.
And it was the actual ad from the paper.
PATRICIA McNAIR: Oh, no.
Uh-uh, not by yourself.
No, we have to see how that would do that.
I might need to try something else.
DAUGHTER: I need to be back by tomorrow.
PATRICIA McNAIR: What time?
DAUGHTER: Well, really, 10:00 in the morning.
But -— RODNEY CARTER: I have mixed feelings about her driving by herself.
If she thinks she can do it —- PATRICIA McNAIR: Well, 3:00 in the morning.
We are two professional individuals.
You know, we both are well educated.
And then we find ourselves in this situation.
You know, it can happen to anyone.
PATRICIA McNAIR: I do not want to be out on the street.
And I know they will put me out.
And then you read about it every day in the newspaper.
You do see it on the news.
I mean real regulations to protect the small people.
Now, when I read it, oh, yes, it means a lot.
AMY GOODMAN: Patricia McNair, a clinical therapist at Johns Hopkins Medical Center in Baltimore, from the documentary American Casino, which was directed by Leslie Cockburn, co-produced by Andrew Cockburn.
Leslie, what happened to Patricia?
LESLIE COCKBURN: Well, it was heartbreaking, because when we first were filming with Patricia and her family — we met her first at a community meeting, where people were trying to, you know, find solutions and avoid foreclosure.
And tragically, she lost her house as we were in the edit room.
But that house was very important to her.
AMY GOODMAN: And the story of Denzel, the schoolteacher, who almost lost his home, what happened to him?
And it tells the story of who owns what, who owns the note.
And across the country we have a situation now where millions and millions of people are in the foreclosure process.
AMY GOODMAN: And these are often bailed-out banks, bailed out by taxpayers — ANDREW COCKBURN: Oh, sure.
AMY GOODMAN: — that are making fortunes, that are giving millions of dollars in bonuses to their execs.
And you have the homeowners, the people who have been most hurt at the bottom — ANDREW COCKBURN: Right.
AMY GOODMAN: — who are not being helped out.
Can you lowriders gameplay american about the pools, Leslie?
You go to California.
LESLIE COCKBURN: Well, I just want to say one thing about Denzel, which is that it was very important to us to be able to track one human being to those computer screens in Wall Street, where you have these, you know, investment products.
And we were able to do that and show that Denzel, who supposedly has a loan with Litton in Texas — Litton is owned by Goldman Sachs.
We found him inside a Goldman Sachs investment product that had been put together at the time when former Secretary of the Treasury Hank Paulson was running Goldman.
AMY GOODMAN: And how many Goldman Sachs execs surround President Obama?
ANDREW COCKBURN: Oh, God, half the number.
AMY GOODMAN: We have to wrap now, but twenty seconds on the pools.
LESLIE COCKBURN: Well, the pools — this was a post-apocalyptic scene in Riverside, California, where you see pools, black pools full of seven hundred, eight hundred thousand breeding mosquitoes.
You know, this is now an issue of disease.
We go around with these vector control people who are checking on — you know, worried about West Nile virus, rodent infestation in piles of hundred percent financing signs.
This is really, you know, the end of the line.
Leslie Cockburn is the director of the film.
Andrew Cockburn co-produced it.
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The documentary film "American Casino," which opened today at the Film Forum in Manhattan, looks at the causes of the biggest economic crisis of our lifetime --- the sub-prime mortage meltdown.


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American Casino (2009) - Rotten Tomatoes
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“American Casino”–Doc Investigates Roots of the Subprime Mortgage Meltdown and Tells the Stories of Its Victims | Democracy Now!
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You won't soon forget the therapist at Johns Hopkins who counsels recently homeless patients who've fallen into depression or substance abuse -- and then goes home to her own bitter foreclosure fight.


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American Casino reviewed.
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Cheating Vegas Gambling - Casino Wars - Documentary