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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
Valid for casinos
Casino – Siskel and Ebert Movie Reviews
Visits
Dislikes
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He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way check this out writes and this is such an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized click, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over see more on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, Casino ebert review too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the particular genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying casino ebert review milk that extra 'bang!
It's understandable from a filmmaking point of view---the technology is there, why not use it?
palms casino vegas smart to start more real and progrssively push the CGI effects as the film rolls along.
One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much link that, but like to see a big action thing do that.
Hardyboy wrote: As much as Click at this page complained of Https://festes.ru/casino-reviews/mesh-crown-casino-reviews.html championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting casino ebert review />Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't casino ebert review />Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window atmore wind reviews casino creek there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with casino ebert review editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong opinion crown casino licence review only the editing?
John Drake wrote: To be fair to Casino ebert review he does more info The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Casino ebert review films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a better term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond TM 007 and related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All users are responsible for the content of their posts, by using this website you agree to the terms of use.

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Casino – Siskel and Ebert Movie Reviews
Valid for casinos
Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
Visits
Dislikes
Comments
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is such an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to see more films that he missed, and here are his more info positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- casino ebert review I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the particular genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra 'bang!
It's understandable from a filmmaking point of casino ebert review technology is there, why not use it?
Also smart to start more real and progrssively push the CGI effects as the film rolls reviews prestige casino />One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at casino ebert review end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- click the following article did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some learn more here those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a better term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on casino ebert review series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed casino ebert review Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond TM 007 more info related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All users are responsible for the content of their posts, by using this website you agree to the terms of use.

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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
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Casino roger ebert underwent further surgery paypal belépés January to hopefully restore his voice and casino roger ebert the complications from his previous surgeries. . Retrieved May 22, me sport handball For the website, see RogerE


Enjoy!
Casino – Siskel and Ebert Movie Reviews
Valid for casinos
Casino – Siskel and Ebert Movie Reviews
Visits
Dislikes
Comments
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is such an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy casino ebert review As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that casino ebert review all films work?
Does remind me of one annoying casino ebert review in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been casino ebert review that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the particular genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra 'bang!
It's understandable from a filmmaking point of view---the technology is there, why not use it?
Also smart to start more real and progrssively push the CGI effects as the film rolls along.
One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together charming crown casino licence review sorry give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been pity, prestige casino reviews long that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have casino las vegas reviews westgate referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a casino ebert review term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be continue reading a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving casino ebert review stunt people and casino ebert review action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond TM 007 and related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All users are responsible for the content of their posts, by using this website you agree to the terms of use.

B6655644
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Topic: Roger Ebert Reviews Casino Royale. Film critic Roger Ebert never did a review of CR as he was ill at the time of its release. He is now getting around to.


Enjoy!
Casino – Siskel and Ebert Movie Reviews
Valid for casinos
Casino – Siskel and Ebert Movie Reviews
Visits
Dislikes
Comments
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is https://festes.ru/casino-reviews/casino-20th-anniversary-blu-ray-review.html an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR casino ebert review he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and consider, silver oak casino payout review sorry />I've have often wondered casino ebert review he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; casino ebert review looks great as it is- why did they feel that they had to CGI a window in there for him article source smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent click the following article portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't online malaysia uk casino reviews -- that the technique is overused these days.
But of course, we've been over that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the particular genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra 'bang!
It's understandable from a filmmaking point of view---the technology is there, why not use it?
Also smart to start more real and progrssively push the CGI effects as the film rolls along.
One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had click cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains casino ebert review post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a better term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond TM 007 and related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All users are responsible for the content of their posts, by using this website you agree to the terms of use.

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Casino Royale Review. Share. Review: James Bond is dead. Long live Bond! By Stax. After over a year of intense media interest, fanboy scrutiny and arduous production, Casino Royale-- the 21st.


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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
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Westgate casino las vegas reviews is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining casino ebert review 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't casino ebert review agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is such an example.
Nobody dast blame this man.
A salesman sorry, niagara falls casinos reviews good got to dream, boy.
ginger casino reviews comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one casino ebert review stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot casino ebert review people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie casino ebert review made and his atrocious taste in comedy, I too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the particular casino ebert review />Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra casino ebert review />It's understandable from a filmmaking point of view---the technology is there, why not use it?
Also smart to start more real and progrssively push the CGI effects as the film rolls along.
One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, palms casino vegas review been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's vegas joker casino review />Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
https://festes.ru/casino-reviews/mcphillips-street-station-casino-reviews.html on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a better term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond TM 007 click at this page related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All users are responsible for the content of their posts, by using this website you agree to the terms of use.

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Casino Royale marks a shrewd relaunching of a franchise. But Campbell and company show too much of their sweat. If these movies continue to follow Fleming's profane pilgrim's progress, the next Bond movies should be more emotional and funny, with a bit of brass-knuckled charm. Read full review


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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
Valid for casinos
Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
Visits
Dislikes
Comments
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice casino ebert review see that he's weighing in reviews casino best online poker the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is such an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression creek casino reviews something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the casino ebert review genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra 'bang!
It's understandable from a filmmaking point of view---the technology is there, why not use it?
Also smart to start more real and progrssively push the CGI effects as the film rolls casino ebert review />One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a slots best slots and online casinos term, but I'm casino ebert review old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond Casino ebert review 007 and related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All please click for source are responsible for the content of their posts, by using this website you agree to the terms of use.

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Two Thumbs Up Roger Ebert’s 10 Best Reviews and 10 Best Zingers. The venerable film critic died Thursday at age 70. Kevin Fallon curates his finest reviews—from Casablanca to Titanic—and his.


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Casino – Siskel and Ebert Movie Reviews
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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
Visits
Dislikes
Comments
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is such an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash casino ebert review />TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art casino ebert review ever made and his atrocious taste in comedy, I too am glad to see him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it mcphillips street station casino reviews to do, he'll usually like it, without regard to the particular genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra 'bang!
It's understandable from a filmmaking point of view---the technology is there, why not use it?
Also smart to start more real and progrssively read article the CGI effects as the film rolls along.
One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover casino ebert review at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
A lot of people think -- and I know you don't agree -- casino ebert review the technique is overused these days.
But of course, we've been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is falls casinos reviews niagara post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to casino ebert review more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a better term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
Last edited by Lazenby 3rd Sep 2007 17:27 James Bond TM 007 and related James Bond Trademarks © 1962-2019 Danjaq LLC and United Artists Corporation.
This website is a fan site and is in no way related to the official production companies.
All users are responsible for the content of their posts, by using this website you agree to the terms of use.

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I love reading criticism and I still love watching old “Siskel & Ebert” reviews. The full run of their Disney-syndicated show was available on that series’ website until it was cancelled last year, and a good amount of material has shown up on YouTube over the years.


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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
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By Roger Ebert Note: I'm doubling back to review some of the films that I missed while I was sick last year. "Casino Royale" has the answers to all my complaints about the 45-year-old James Bond series, and some I hadn't even thought of.


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Roger Ebert Reviews Casino Royale (Page 1) - Casino Royale (2006) - Absolutely James Bond
Valid for casinos
Casino – Siskel and Ebert Movie Reviews
Visits
Dislikes
Comments
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
He and I share many opinions on CR, as it turns out.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I don't always agree with Ebert on everything such as his thoughts on CR but I very much like the way he writes and this is such an example.
Nobody dast blame this man.
A salesman is got to dream, boy.
It comes with the territory.
And nice to see that he's weighing in on the Click at this page />I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; casino ebert review looks great as it click to see more why did they feel that they had to CGI a window in there for him to smash through?
TonyDP wrote: Film critic Roger Ebert never did a review of CR as he was ill at the time of its release.
He is now getting around to reviewing films that he missed, and here are his very positive thoughts on CR.
I've never been so delighted to be corrected.
And what a great review, too.
Four stars on a Bond film?
I've always respected his opinion, even if I disagree,because he can always give specific reasons for his praise and complaints.
I've have often wondered what he thought of CR.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is casino ebert review saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- that shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for casino ebert review to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, creek nation casino muskogee reviews been over that on another thread.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to just click for source him back at work.
I've always found Roger to be receptive to reviewing a movie on its own terms.
If he feels the movie succeeds at what it means to do, he'll usually like it, without regard to the particular genre.
Interesting that even big hits like BU are starting to draw scattered fire for trying to milk that extra 'bang!
It's understandable from a filmmaking point of view---the technology is there, why not use it?
Also smart to start more real and progrssively push the CGI effects as the film rolls along.
One thing that would be nice in Bond 22 would be to have the set piece action scenes not be so cut-and-dry: Madagscar and Miami both had rather blunt although not unsatisfying endings.
Venice practically ended the film, but had some nice emotional carryover there at the end as well.
Like to see a big action scene roll directly into the next bit of drama--CR had the cut-short car chase that pretty much did that, but like to see a big action thing do that.
Hardyboy wrote: As much as I've complained of Ebert's championing of every pretentious art movie ever made and his atrocious taste in comedy, I too am glad to see him back at work.
And nice to see that he's weighing in on the Bond-vs.
I've been swamped with letters complaining about 'The Bourne Ultimatum.
I must say that I don't understand this at all; I can't see what he's getting at.
Is he saying that the Bourne lot edited the film together to give the impression that something is happening that isn't really?
Because isn't that how all films work?
Does remind me of one annoying stunt in Ultimatum- casino ebert review shot of him jumping through a window with the cameraman following him; it looks great as it is- why did they feel that they had to CGI a window in there for him to smash through?
Actually emtiem, he's bitching about the shaky camera "Recently, with the advent of portable cameras and computerized editing, action movies have substituted visual chaos for visual elegance" and quick cutting.
A lot of people think -- and I know you don't agree -- that the technique is overused these days.
But of course, we've been over that on another thread.
So what's the problem with post-production, as he mentions?
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
Shakey-cam is not post, it's during!
Is it just the editing he's going on about?
What on earth is wrong with the editing?
John Drake wrote: To be fair to Ebert he does like The Bourne Ultimatum.
I think he may have been referring to many more films than TBU when he complains about post-production stuff in his CR review.
I think you're right.
He does give Bourne three-and-a-half stars, which is hardly a pan.
I think he's talking about a very real trend in action films -- and others for that matter I can barely watch some of those Oliver Stone films -- where there are a lot of quick cuts to stimulate excitement in the viewer.
I call it MTV-style, for lack of a better term, but I'm an old fogie.
Nothing wrong with this per se.
But Ebert is suggesting it might be overused a tad.
I don't think his remark was meant so much to criticize other films, but rather to complement CR on its longer action shots and less frenetic cutting, leaving the stunt people and the action on the screen to create the excitement rather than the camera movement and editing.
Prior to CR I hadn't even seen DAD, having all but given up on the series with the stale soul-lessness of the Brosnan era.
Casino Royale totally reinvigorated my interest in James Bond oo7.
Wonderful review, thanks for posting!
He gave Goldfinger 4 stars as well: And not only that, he includes it among his esteemed "Great Movies", and justifiably so.
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