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Rueda de casino. La rueda est une variante de salsa cubaine où un groupe de couples placés en cercle font les mêmes passes simultanément, avant d’échanger de partenaire, ce qui en fait un peu l’équivalent cubain d’un set carré. Cela en fait un format optimisant l’apprentissage tout en assurant de saines habitudes rythmiques.


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SALSA RUEDA DE CASINO | Fortsætter . One thing that all salsa dancers would agree on is that Rueda de Casino is incredibly FUN! Rueda is danced in social parties across the world, with pairs of dancers forming a circle and executing the same moves called out by one person.


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Rueda de casino. La rueda est une variante de salsa cubaine où un groupe de couples placés en cercle font les mêmes passes simultanément, avant d’échanger de partenaire, ce qui en fait un peu l’équivalent cubain d’un set carré. Cela en fait un format optimisant l’apprentissage tout en assurant de saines habitudes rythmiques.


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I decided not to include this short draft chapter on Rueda de Bachata in the guide since although sharing some characteristics, the origins of the dance are quite different from other variations of Rueda de Casino.
It is also incomplete, with some missing dance positions.
These notes provide only a taster, but if you enjoy the dance, commercial DVDs are available online which provide much more detail.
Rueda de Bachata is simply Bachata danced in a Rueda Structure to Bachata music rather than Salsa or Timba.
Some of the basic moves are similar to Rueda de Casino moves, whilst others have been created to suit the style of the Bachata dance.
The music is great fun to dance to, and being generally slower than Salsa, there is more time to execute the moves.
Rueda de Bachata Bachata rhythm Bachata is a distinctive music and dance form which originated in rural areas of the Dominican Republic as a country dance for couples.
It has rapidly evolved in sophistication to become a mainstream and popular latin dance, largely supplanting Merengue as the DJs favourite way of varying a night of wall to wall Salsa although now sharing dance time with Kizomba.
Although still relatively uncommon, with relatively few few instructional DVDs or Youtube videoclips it does seem to be growing slowly in popularity.
A group led by Seemore Johnson and Cristina Pujol claim to be the first choreographers of this variation of Rueda, with a performance of Rueda de Bachata at the 2003 Boston USA Salsa congress.
They started not with the idea of copying Rueda de Casino, but totally by accident, as you can read here on more info website, where you can also watch a video of the first melco casino jobs and buy instructional DVDs.
They now have a set of over 100 moves.
However Bachata de Rueda seems to be a fairly obvious idea, and the diversity of calls suggests that it probably also developed independently in other places, with Https://festes.ru/casino/casino-martingale-system.html de Casino moves adapted to suit the Rueda de Bachata format.
These notes assume that you already know something of the basic Bachata step, and describe only a sample of moves to illustrate some of the possibilities, largely gathered from UK-based instructors, or adapted from partner Bachata.
The toe taps on beats 4 and 8, and the small lift of the hip of the tapping leg which characterise Bachata are not noted in these descriptions unless the move requires a variation.
The style of the move descriptions is a little different from the Rueda guide, and gives more emphasis to each of the 2 sets of 4 beats in each 8 beat pattern.
Couples are in Bachata partner hold, LEs facing anti-clockwise, left shoulders into the Rueda.
Bachata music is slower than Salsa, and in theory there is more time to focus on things like looking good, precision, and styling than in normal Rueda de Casino.
If you have got to grips with Rueda cruzada see Chapter 17 you can apply the same idea to Rueda de Bachata; this works well as there is more space for turns.
The basic step, and calling The default basic step in Rueda de Bachata is a sidestep in towards the centre in the Al centro position, followed by sidesteps to the outside.
The original version by Seemore Johnson and Cristina Pujol includes Brinquito at this point, a forward and back tap step over 8 beats, which provides a starting point for many further moves.
Bachata has a less pronounced 8 beat pattern than Salsa and can be counted as repeated sets of 4 beats.
In Bachata de Rueda it is often convenient to follow an 8 rueda de casino bachata pattern 2 sets of 4 beat bars of music.
Whilst many moves are called when outside the Rueda on beat 8 with the intention of starting the move on the next beats 5-6-7, which gives a lot of time to prepare, others can be called when couples are in the centre e.
Couples are in the closed position, LEs face anti-clockwise around the circle, FOs clockwise.
On 1-2-3-4: Bachata basic sidesteps in towards the centre.
On 5-6-7-8: Sidesteps to the outside of the Rueda.
In the closed position when couples are towards the outside of the Rueda, LEs facing anti-clockwise, FOs clockwise, everyone steps in a clockwise direction i.
LEs backwards, FOs forwards.
In the reversed position LEs facing clockwise, FOs anti-clockwise after a call such as Forums casino affiliate viro, everyone steps anti-clockwise.
In the closed position towards the outside of the Rueda, LEs facing anti-clockwise, FOs clockwise, everyone steps in an anti-clockwise direction i.
LEs forward, FOs backwards.
In the reversed position LEs facing clockwise, FOs anti-clockwise after a call such as Se viro, everyone steps clockwise.
An in-place rocking step with a tap, from which other turns and combinations can be started.
On 1-2-3-4: In the closed position whilst to the outside of the Rueda after couples have completed their sidesteps to the outside, do an in-place rocking step, i.
On 5-6-7-8: Repeat this step pattern over the next 4 beats.
Couples then do a basic Al centro sideways step in and out of the Rueda over the next 8 beats before repeating the Brinquito step.
Repeat this pattern until another move is called.
As an alternative variation over fitzgerald casino tunica sets of 8 beats, which changes the timing of the sidesteps to the centre; do the first 4 beats of Brinquito as described, then Al centro on 5-6-7, step out on 1-2-3, then do Brinquito again on 5-6-7.
As Brinquito but instead of interleaving the Al centro step, just keep doing the Brinquito steps backwards and forwards in place until another move is called.
On 1-2-3-4: The basic side step in towards the centre in the closed position.
On 1-2-3-4: Couples retake the closed position as they sidestep into the Rueda, recommencing the default in and out step pattern.
Se viro tuxedo casino genting yourself.
In the closed position whilst to the outside of the Rueda, couples turn 180 degrees clockwise in place and begin to step in a clockwise LE forward direction.
Continue until the next call.
Repeat the move to return to the starting default position and direction.
Slide On 1-2-3-4: On beat 1 sidestep towards the centre LE left foot, FO right on beat 2 cross the free foot behind and transfer weight to it.
On beat 3 sidestep towards the centre again taking a bigger step than normal.
Keeping weight on the inside foot on beat 4 slide the free foot drag it along the floor to close the feet.
On 5-6-7-8: On beat 5 sidestep towards the outside LE right foot, FO left on beat 6 cross the free foot behind and transfer weight to it.
On beat 7 sidestep towards rueda de casino bachata outside again taking a bigger step than normal.
Keeping weight on the outside foot, on beat 8 slide the free foot drag it along the floor to close here feet.
Repeat until another move is called.
Rueda de Bachata — Changing partners — example moves Most of these simple movements are based on familiar Rueda moves in the closed position.
On 1-2-3-4: Resume the basic step towards the inside.
Dame dos give me two.
As Dame, but LEs move on 2 partners inside the Rueda.
As Dame, but the Are casino en ligne barriere you steps backwards and takes hold with the FO who was originally behind him.
As Dame sin soltar but LE steps backwards taking hold with the FO who was originally behind him.
Dame sin soltar give me one without letting go.
Continue the default step in this position until the next call.
Dile que no say no.
More like Tarrito afuera in normal Rueda than the familiar version of Dile que no.
Normally called when stepping in an anti-clockwise circle i.
On 5-6-7-8: LE and FO retake the closed position with new partners and continue the Arriba anti-clockwise step.
LEs and FOs remain facing in the same direction throughout.
This move is quite different from the familiar Rueda version of Enchufla; the LE has to change position quite a lot to make it work.
On 5-6-7-8: Lead the FO to half turn to her left so that she faces anti-clockwise around the Rueda.
LE and FO have now changed position; the LE is slightly to the outside of the Rueda relative to the FO.
On 1-2-3-4: Lead the FO to half turn to her left so that she is back in the default position facing clockwise.
The LE ends slightly inside the Rueda relative to the FO.
On 5-6-7-8: Start Dame — LE steps forwards under the high hands, releases hold and steps forwards casino credit clerk his new partner as both sidestep to the outside.
LE steps forwards around her on the outside of the Rueda, displacing position anti-clockwise.
Sidestep in towards the centre.
Rueda de Bachata — Simple turns A few straightforward turns from the closed position, when sidestepping in and out of the Rueda.
Hombres doble men twice A right then a 7 luck casino myeongdong turn for the LE.
The FO meanwhile has continued the basic sidestep.
The FO meanwhile has continued the basic sidestep.
On 5-6-7-8: Resume the basic sidestep towards the outside in the closed position.
Hombres vuelta men turn A simple left turn for the LE.
On 5-6-7-8: Resume the basic sidestep towards the outside in the closed position.
In order to make this turn possible LE and FO need to be in a very close hold; the LE needs to draw the FO in close, ensuring his right foot is between her feet, thighs touching.
Called from the centre position beat 4 or 5.
On 5-6-7-8: Rise from the bend turning to the right and opening the hold to return to the closed position.
Mujeres women A simple left turn for the FO.
On 1-2-3-4: The basic step towards the centre in the closed position.
On 1-2-3-4: Continue with the default sidestep in towards the centre.
Mujeres doble women twice A left then a right turn for the FO, as she steps out then back into the centre.
On 1-2-3-4: The basic step towards the centre in the closed rueda de casino bachata />On 1-2-3-4: On the sidestep to the inside, lead the FO into a right cw half turn to face the LE again, and retake the closed position.
On 5-6-7-8: Resume the basic sidestep towards the outside in the closed position.
Mujeres, hombres women, men A left turn for the FO, then a left turn for the Rueda de casino bachata />On 1-2-3-4: The basic sidestep towards the centre in the closed position.
On 5-6-7-8: Do Mujeres, i.
On 5-6-7-8: Continue with the default sidestep to the outside of the Rueda.
Roja red A LE turn and reverse with a strong toe tap.
As the FO completes the basic step, the LE turns left under his left arm to more or less face the FO and taps strongly behind with his right foot on beat 4.
Vacilala check her out A free right turn for the FO.
This may be called either when everyone is in the centre, giving 4 beats to prepare, or started immediately if the call is when positioned to the outside of the Rueda.
On 5-6-7-8: Retake the go here position and resume the basic sidestep towards the outside in the closed position.
A few more complicated p artner turns Mostly adaptations of Salsa moves.
Candado doble double padlock As Candado, but turn the FO in and out twice over 2 sets of 8 beats.
Repeat until a call of Se fue go.
On 1-2-3-4, 5-6-7-8: Sidestep in and out with this hold; repeat until a call of Se fue go.
Setenta seventy Alternate FO and LE turns while sidestepping in and out, i.
On 1-2-3-4: From the closed position, whilst stepping in towards the centre, take DOHH and lead the FO into the first half of a Setenta turn i.
On 5-6-7-8: Whilst side stepping to the outside, unwind the FO from the Setenta position by leading her to turn to her left back to DOHH.
The next steps are all done facing into the centre.
On 1-2-3-4, 5-6-7-8: Step forwards and back, in and out of the circle.
Repeat over further sets of 8 beats until a call of Se fue go.
On 5-6-7-8: Continue the basic side step.
If you want to dance Rueda de Bachata as originally devised by Seemore Johnson and Christina Pujol, check out this video of an introductory class which they have put on Youtube.
I will shortly be adding some notes on this to the blog, plus a description of Ocho and Ocho doble.
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Casino Partnering A common misunderstanding about Casino (Cuban-style dance) is that it is only done as a group (i.e., Rueda de Casino). In reality, many of the calls you learn in the Rueda can be led and followed in a partner setting, and you'll find yourself partner dancing 95% of the time at places where Casino-style dance is held.


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Stay updated on Clase de Salsa y Bachata Nivel Intermedio y Rueda Casino and https://festes.ru/casino/grandview-casino-macau.html even more events in Barcelona.
Quieres aprender nuevas figuras y bailar con gente que sabe??
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Empezamos con sesiones de nivel intermedio de salsa con nuestro divertido profesor Carlos y despúes aprenderemos a hacer Rueda Casino cambiando de pareja.
También Bachata durante el baile social!!!
Aprenderemos figuras como: Kentucky, Miami, Habana, enchufla rueda de casino bachata complicado, el ocho simple y doble, etc.
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We are going to start with intermediate level salsa sessions with our funny rueda de casino bachata Carlos and later we will learn how to make Rueda Casino changing partners.
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Our Level 2 course builds on the fundamentals while further developing your repertoire of moves in linear and circular styles of salsa. We will go over a set of cool foundational moves that are prerequisites to more advanced turn patterns. We will also expand on leading/following techniques and introduce Casino Rueda or “salsa wheel”.


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RUEDA DE BACHATA Prince Royce - Rechazame by Mike Caribea - YouTube
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I decided not to include this short draft chapter on Rueda de Bachata in the guide since although sharing some characteristics, the origins of the dance are quite different from other variations of Rueda de Casino.
It is also incomplete, with some missing dance positions.
These notes provide only a taster, but if you enjoy the dance, commercial DVDs are available online which provide much more detail.
Rueda de Bachata is simply Bachata danced in a Rueda Structure to Bachata music rather than Salsa or Timba.
Some of the basic moves are similar to Casino worldwide de Casino moves, whilst others have been created to suit the style of the Bachata dance.
The music is great fun to dance to, and being generally slower than Salsa, there is more time to execute the moves.
Rueda de Bachata Bachata rhythm Bachata is a distinctive music and dance form which originated in rural areas of the Dominican Republic as a country go here for couples.
It has rapidly evolved in sophistication to become a mainstream and popular latin dance, largely supplanting Merengue as the DJs favourite way of varying a night of wall to wall Salsa although now sharing dance time with Kizomba.
Although still relatively uncommon, with relatively few few instructional DVDs or Youtube videoclips it does seem to be growing slowly in popularity.
A group led by Seemore Johnson and Cristina Pujol claim to be the first choreographers of this variation of Rueda, with a performance of Rueda de Bachata at the 2003 Boston USA Salsa congress.
They started not with the idea of copying Rueda de Casino, but totally by accident, as you can read here on their website, where you can also watch a video of the first performance and buy instructional DVDs.
They now have a set of over 100 moves.
However Bachata de Rueda seems to be a fairly obvious idea, and the diversity of calls suggests that it probably also developed independently in other places, with Rueda de Casino moves adapted to suit the Rueda de Bachata format.
These notes assume that you already know something of the basic Bachata step, and describe only a sample of moves to illustrate some of the possibilities, largely gathered from UK-based instructors, or adapted from partner Bachata.
The toe taps on beats 4 and 8, and the small lift of the hip of the tapping leg which characterise Bachata are not noted in these descriptions unless the move requires a variation.
The style of the move descriptions is a little different from the Rueda guide, and gives more emphasis to each of the 2 sets of 4 beats in each 8 beat pattern.
Couples are in Bachata partner hold, LEs facing anti-clockwise, left shoulders into the Rueda.
Bachata music is slower than Salsa, and in theory there is more time to focus on things like looking good, precision, and styling than in normal Rueda de Casino.
If you have got to grips with Rueda cruzada see Chapter 17 you can apply the same idea to Rueda de Bachata; this works well as there is more space for turns.
The basic step, and calling The default basic step in Rueda de Bachata is a sidestep in towards the centre in the Al centro position, followed by sidesteps to the outside.
The original version by Seemore Johnson and Cristina Pujol includes Brinquito at this point, a forward and back tap step over 8 beats, which provides a starting point for many further moves.
Bachata has a less pronounced 8 beat pattern than Salsa and can be counted as repeated sets of 4 beats.
In Ga da casino de Rueda it is often convenient to follow an 8 beat pattern 2 sets of 4 beat bars of music.
Whilst many moves are called when outside the Rueda on beat 8 with the intention of starting the move on the next beats 5-6-7, which gives a lot of time to prepare, others can be called when couples are in the centre e.
Couples are in the closed position, LEs face anti-clockwise around the circle, FOs clockwise.
On 1-2-3-4: Bachata basic sidesteps in towards the centre.
On 5-6-7-8: Sidesteps to the outside of the Rueda.
In the closed position when couples are towards the outside of the Rueda, LEs facing anti-clockwise, FOs clockwise, everyone steps in a clockwise direction i.
LEs backwards, FOs forwards.
In the reversed position LEs facing clockwise, FOs anti-clockwise after a call such as Se viro, everyone steps anti-clockwise.
In the closed position towards the outside of the Rueda, LEs facing anti-clockwise, FOs clockwise, everyone steps in an anti-clockwise direction i.
LEs forward, FOs backwards.
In the reversed position LEs facing clockwise, FOs anti-clockwise after a call such as Se viro, everyone steps clockwise.
An in-place rocking step with a tap, from which other turns and combinations can rueda de casino bachata started.
On 1-2-3-4: In the closed position whilst to the outside of the Rueda after couples have completed their sidesteps to the outside, do an in-place rocking step, i.
On 5-6-7-8: Repeat this step pattern over the next 4 beats.
Couples then do a basic Al centro sideways step in and out of the Rueda over the next 8 beats before repeating the Brinquito step.
Repeat this pattern until another move is called.
As an alternative variation over 2 sets of 8 beats, which changes the timing of the sidesteps to the centre; do the first 4 beats of Brinquito as described, then Al centro on 5-6-7, step out on 1-2-3, then do Brinquito again on 5-6-7.
As Brinquito but instead of interleaving the Al centro step, just keep doing the Brinquito steps backwards and forwards in place until another move is called.
On 1-2-3-4: The basic side step in towards the centre in the closed position.
On 1-2-3-4: Couples retake the closed position as they sidestep into the Rueda, recommencing the default in and out step casino address peppermill />Se viro turn yourself.
In the closed position whilst to rueda de casino bachata outside rueda de casino bachata the Rueda, couples turn 180 degrees clockwise in place and begin to step in a clockwise LE forward direction.
Continue until the next call.
Repeat the move to return to the starting default position and direction.
Slide On 1-2-3-4: On beat 1 sidestep towards the centre LE left foot, FO right on beat 2 cross the free foot behind and transfer weight to it.
On beat 3 sidestep towards the centre again taking a bigger step than normal.
Keeping weight on the inside foot on beat 4 slide the free foot drag it along the floor to close the feet.
On 5-6-7-8: On beat 5 sidestep towards the outside LE right foot, FO left on beat 6 cross the free foot behind and transfer weight to it.
On beat 7 sidestep towards the outside again taking a bigger step than normal.
Keeping weight on the outside foot, on beat 8 slide the free foot drag it along the floor to close the feet.
Repeat until another move is called.
Rueda de Bachata — Changing partners — example moves Most of these simple movements are based on familiar Rueda moves in the closed position.
On 1-2-3-4: Resume the basic step towards the inside.
Dame dos give me two.
As Dame, but LEs move on 2 partners inside the Rueda.
As Dame, but the LE steps backwards and takes hold with the FO who was originally behind him.
As Dame sin soltar but LE steps backwards taking hold with the FO who was originally behind him.
Dame sin soltar give me one without letting go.
Continue the default step in this position until the next call.
Dile que no say no.
More like Tarrito afuera in normal Rueda than the familiar version of Dile que no.
Normally called when stepping in an anti-clockwise circle i.
On 5-6-7-8: LE and FO retake the closed position with new partners and continue the Arriba anti-clockwise step.
LEs and FOs remain facing in the same direction throughout.
This move is quite different from the familiar Rueda version of Enchufla; the LE has to change position quite a lot to make it work.
On 5-6-7-8: Lead the FO to half turn to her left casino market japan that she faces anti-clockwise around the Rueda.
LE and FO have now changed position; the LE is slightly to the outside of the Rueda relative to the FO.
On 1-2-3-4: Lead the FO to half turn to her left so that she is back in the default position facing clockwise.
The LE ends slightly inside the Rueda relative to the FO.
On 5-6-7-8: Casino in missouri Dame — LE steps forwards under the high hands, releases hold and steps forwards to his new partner as both sidestep to the outside.
LE steps forwards around her on the outside of the Rueda, displacing position anti-clockwise.
Sidestep in towards the centre.
Rueda de Bachata — Simple turns A few straightforward turns from the closed position, when sidestepping in and out of the Rueda.
Hombres doble men twice A right then a left turn for the LE.
The FO meanwhile has continued the basic sidestep.
The FO meanwhile has continued the basic sidestep.
On 5-6-7-8: Resume the basic sidestep towards the outside in the closed position.
Hombres vuelta men turn A simple left turn for the LE.
On 5-6-7-8: Resume the basic sidestep towards the outside in the closed position.
In order to https://festes.ru/casino/chances-casino-terrace.html this turn possible LE and FO need to be in a very close hold; the LE needs to draw the FO in close, ensuring his right foot is between her feet, thighs touching.
Called from the centre position beat 4 or 5.
On 5-6-7-8: Rise from the bend turning to the right and opening the hold to return to the closed position.
Mujeres women A simple left turn for the FO.
On 1-2-3-4: The basic step towards the centre in the closed position.
On 1-2-3-4: Continue with the default sidestep in towards the rueda de casino bachata />Mujeres doble women twice A left then a right turn for the FO, as she steps out then back into the centre.
On 1-2-3-4: The basic step towards the centre in the closed position.
On 1-2-3-4: On the sidestep to the inside, lead the FO into a right cw half turn to face the LE again, and retake the closed position.
On 5-6-7-8: Resume the basic sidestep towards the outside in the closed position.
Mujeres, hombres women, men A left turn for the FO, then a left turn for the LE.
On 1-2-3-4: The basic sidestep towards the centre in the closed position.
On 5-6-7-8: Do Mujeres, i.
On 5-6-7-8: Continue with the default sidestep to the outside of the Rueda.
Roja red A LE turn and reverse with a strong toe tap.
As the FO completes the basic step, the LE turns left under his left arm to more or less face the FO and taps strongly behind with his right foot on beat 4.
Vacilala check her out A free right turn for the FO.
This may be called either when everyone is in the centre, giving 4 beats to prepare, or started immediately if the call is when positioned to the outside of the Rueda.
On 5-6-7-8: Retake the closed position and resume the basic sidestep towards the outside in the closed position.
A few more complicated p artner turns Mostly adaptations of Salsa moves.
Candado doble double padlock As Candado, but turn the FO in and out twice over 2 sets of 8 beats.
Repeat until a call of Se fue go.
On 1-2-3-4, 5-6-7-8: Sidestep in and out with this hold; repeat until a call of Se fue go.
Setenta seventy Alternate FO and LE turns while sidestepping in and out, i.
On 1-2-3-4: From the closed position, whilst stepping in towards the centre, take DOHH and lead the FO into the first half of a Setenta turn i.
On 5-6-7-8: Whilst side stepping to the outside, unwind the FO from the Setenta position by leading her to turn to her left back to DOHH.
The next steps are all done facing into the centre.
On 1-2-3-4, 5-6-7-8: Step forwards and back, in and out of the circle.
Repeat over further sets of 8 beats until winstar casino thackerville call of Se fue go.
On 5-6-7-8: Continue the basic side step.
If you want to dance Rueda de Bachata as originally devised by Seemore Johnson and Christina Pujol, check out this video of an introductory class which they click put on Youtube.
I will shortly be adding some notes on this to the blog, plus a description of Ocho and Ocho doble.
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A clinical dance duo, the Salsa Medics bring fun, fitness and Latino footwork to the West of Ireland's rhythmically inclined. Operating from the Victoria Hotel in Galway City, and Blouser's in Westport, they impart their hot stepping know-how in Cuban Salsa, Rueda, and Bachata for beginners and beyond, and entertain with performances, parties, and a late night Salsa clubs.


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Clase de Salsa y Bachata Nivel Intermedio y Rueda Casino - 10 JUL 2019
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Fridays Cuban Salsa/Rueda de Casino. Last edited: Thursday, May 30, 2019.. Salsa & Bachata at Bunker Hill by Nights of Dance Sun June 16th! Sunday, 16 June 2019.


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Clase de Salsa y Bachata Nivel Intermedio y Rueda Casino - 10 JUL 2019
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Salsa Rueda de Casino- This style of Cuban Salsa involves pairs of dancers who form a circle, with dance moves called out by one person, a caller. Most moves involve the swapping of partners, where the partners move around the circle to the next partner. There are hundreds of "calls" or dance moves and each level of class learns new calls.


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RUEDA DE BACHATA Prince Royce - Rechazame by Mike Caribea - YouTube
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Clases de Salsa en Rueda de Casino + Bachata + Fiesta en Vente Negra

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Mix - RUEDA DE BACHATA Prince Royce - Rechazame by Mike Caribea YouTube 1st BACHATA FLASHMOB de France - Bachataccro - Paris Gare de Lyon / (OFFICIAL VIDEO) - Duration: 5:55. Yoann Nadège.


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Rueda de Bachata - YouTube
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Empezamos con sesiones de nivel intermedio de salsa con nuestro divertido profesor Carlos y despúes aprenderemos a hacer Rueda Casino cambiando de pareja. También Bachata durante el baile social!!! Aprenderemos figuras como: Kentucky, Miami, Habana, enchufla y complicado, el ocho simple y doble, etc. Entrada solo 5€ con consumición.


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This is a rather common call in Rueda de Casino, I have experienced it on a regular basis with different Cuban Rueda callers. Normally most dancers don’t remember it, so the caller will instruct it first, and use it several times during the Rueda.


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Fridays Cuban Salsa/Rueda de Casino. Last edited: Thursday, May 30, 2019.. Salsa & Bachata at Bunker Hill by Nights of Dance Sun June 16th! Sunday, 16 June 2019.


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Rueda de Bachata. 158 Me gusta. Sitio dedicado a la rueda de bachata, a ver si entre todos la hacemos universal..!


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Rueda de Casino Indianapolis is a Cuban salsa (casino) dancing group founded by David and Caitlin Conrad. They have been dancing together since January 2011, and have been teaching in Indianapolis since July 2014. Currently, they are offering classes at Grove Haus along with their co-instructors Max Miller and Mabry Lancaster.


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RUEDA DE BACHATA Prince Royce - Rechazame by Mike Caribea - YouTube
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